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Call It A Day

Greg Wohead

“There’s a kind of mysticism to his approach, as well as the future-facing historicism.”
exeunt magazine on Greg Wohead
CALL IT A DAY is a new performance orbiting around ideas of control and release and how we understand each other.

Through this lens, four performers will portray a remembered conversation between two liberal urbanites an Amish couple that repeats over and over. Like a live art Amish Groundhog Day.

Through an almost musical progression of repetitions, this remembered conversation turns into a strange, kaleidoscopic examination of how we present ourselves to one another—how we control our self-presentation, and when we lose it. In an increasingly divided American cultural landscape, this is partly a live think-through of the tensions between the liberal and the conservative, the progressive and the traditional, the secular and the faithful.

There will be an original soundtrack.
There will be a framework that holds space for improvisation.
All the performers will cry.

  • Joan Didion's THE WHITE ALBUM
    Lars Jan + Early Morning Opera
    The Institute of Memory (TIMe)
    Lars Jan + Early Morning Opera
    Tungsten (artery)
    Janie Geiser / Erik Ehn
    Fugitive Time
    Janie Geiser / Automata
  • Surfacing
    Holcombe Waller
    Lars Jan + Early Morning Opera
    Clouded Sulphur (death is a knot undone)
    Janie Geiser + Erik Ehn / Automata
    This World Made Itself
    Miwa Matreyek
  • Half Life
    Cloud Eye Control
    You Should Have Stayed Home, Morons
    RADAR LA 2013 / with support from Center Theatre Group
    Cooking Oil
    by Deborah Asiimwe, directed by Emily Mendelsohn / Kampala, Kigali, Los Angeles 2010-2013
    A Suicide Bombing by Invitation Only
    Early Morning Opera / Hi-Lite Gallery / Los Angeles 2011