We take to the stage as bodies (colonized and colonizing) in the present, laden with unsolicited meanings yet holding a resistant, even liberatory, potency and an animistic worldview. Surrounded by other animals, mechanicals, tools and traps, we conjure their personhood to imagine what the theater, and the objects within it, might confess, what they might long for, and how they might envision their future.
We ask: How do we create and interrelate without approaching the world as something to be conquered, utilized, exploited, tamed, reduced or otherwise depleted for our own ends?
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